The cover girls probably had difficulty digging the peanuts out.
Don’t worry about Aker Bilk. (Although that two clarinet record with one H Lyttelton showed how good he really was)
This wandered into my Spotify gaze. I probably bought the lp from Dobell’s 77 Charring Cross Road.in 1960 and still think it very fine.
Ed had just finished touring with Louis and Trummy Young so he knew how to make himself heard.
Vic. The Tommy Cooper of Jazz Trombone
Emmet was another of those trumpeters like Roy and Charlie Shavers that could knock down a brick wall just by looking at it.
The other three.. as close to perfect as this style of jazz reaches.
Very well recorded for ‘58.
My favourite jazz period, but you might have guessed.
Lonnie Smith with Iggy Pop: ,Why Can‘t We Live Together‘ and Donovan‘s ,Sunshine Superman‘. Quite entertaining .
Big fan here of that Quintet of his which recorded ‘Post Motown Bop’ and ‘The Inventor’ for Blue Note. Saw them in a few club dates.
One of the best of Art Blakey’s ‘musical directors’ too.
Yes, Post-Motown Bop is great.
Played this twice through yesterday.
Brilliant .
Glad you liked it!
Poalo Fresu also released the excellent Tempo Di Chet a collection of standards that Chet Baker liked to play and also some originals about or for Chet Baker.
Cheers Bob, well give that one a go too.
Re: Paulo Fresu - He did an excellent set of releases for Blue Note Italy. Put out on CD - not sure if ever issued on vinyl. I picked up a bundle of them for a fiver each years ago.
I remember seeing him live with his fine quintet about 30 years ago now.
This is a fine album that I have in my collection, too!