Show us your turntable

They learned from their mistakes, Paul Rigby was being very kind about their latests offering (which is assembled to a NAD design from the Pro-Ject parts bin and by Pro-Ject)

The real thing about mistakes is that you learn from them , you learn more from what goes wrong than what goes right.

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better picture of the well-tempered turntable. Very synergetic when matched to rhythmic Naim amplification

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I have an old pink triangle up in the loft that needs quite a bit of care and renovation. Any idea if there is a specialist in this field?

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I would contact the Funk Firm

The original AR Turntable is the topic of discussion here, but it should be remembered that the head designer at AR, Edgar Villchur, not only produced the first acoustic suspension turntable, he was also the inventor of the first acoustic suspension loudspeaker, the AR-1, in 1954, the “bass reflex” concept. All sealed-box designs are descendants of this. The AR-3, in 1958, added a dome midrange and tweeter, and was considered the most accurate speaker of its day by many critics.

In the mid to late 1960s, AR dominated high-quality but affordable audio in the eastern US, more affordable than Marantz or McIntosh. There was an AR showroom in Grand Central Station that helped promote the brand. My first serious system, purchased in 1967, consisted of the AR Turntable, AR 4x speakers, and the newly released solid-state AR Amplifier.


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I don’t normally post pictures but this is my Avid SP Sequel, SME 309 tonearm with a Nagaoka 200 cartridge.

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You made a good choice to post it! I like very much Avid Sequel and Acutus turntables. Great design.

When I bought my Xerxes the Volvere ran it close - very close!

We like pictures

I was only going to buy a new phono stage when I ended up with a new turntable and phono stage lol.

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So what is the system, phono, cart?
We are curious here. :laughing:

NDX 2, Supernait 1, Core, Hi Cap 2, B&W CM7, Nagaoka MP 200 cartridge and a Sonneteer Sedley phono stage.
After the lock down is lifted a XPSDR, NAC 282, NAP200 DR , Hi Cap 2 DR and B&W 804D2 Will be place

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Whouah! It will be indeed a big uplift.

Hi Paul, I’d love to hear your views and experience of that Sara tonearm. What it replaced and how it compares etc. I ask because I have the Roksan Nima on my LP12 and I’m being guided by my dealer in the direction of the Sara as a worthy alternative to a Naim ARO which are increasingly difficult to source/find spares for.

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Out of interest, do you always have/put the stylus guard on?

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I have a cat so the answer is yes.

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I moved on from the SN1 to a 282/HC2/250.2 setup – you’re in a for a treat.

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Truepoint Audio is a PT Specialist

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Small correction it was bass reflex (ported) designs that were the norm in this era. Some cabinets even had user tunable ports with arcane instructions to listen to for when the sound changed from boing to boof when a battery was connected to the woofer!

AR used a sealed cabinet and the ‘springiness’ of the trapped air was used as part of the woofers suspension. The trade-off was efficiency, but critics of the time were amazed.

Hi KJC, I can’t really help on the Naim ARO …BUT Sara seemed a logical replacement for me as it was replacing a Nima and because of how the DPS is designed, I wasn’t sure just replacing a tonearm would make much difference, wow what surpise I got, I won’t blind you with hifi jargon (because I don’t understand half of what there talking about) but everything seemed a lot clearer, I was hearing things I hadn’t noticed before, and feel it was worth the £1800 outlay and would highly recommend it. It was very easy to fit, Roksan instruction manual used a easy step by step setup guild,(maybe they should write setup guilds for Ikea :wink:) I hope that helped