I listened again this afternoon, and it’s growing on me. (For reasons that I cannot explain, I appear to have bought two identical copies!)
But I need to understand the ‘idiom’ better. I’ll try again tomorrow.
I may be being unfair to it, as I also listened to Yes’s ‘Fragile’ (their best album, I think), Avril Lavigne’s first and second LPs and a side or two of the two Ese and the Vooduu LPs that I have bought recently.
Hello, JDP, as you can see, I have been listening to lots of other stuff, but I think that I should find a few hours to do some comparative listening tomorrow
I have known, and loved, the Quartetto Italiano Beethoven recordings since my University days almost 50 years ago, so that set must start as ‘favourite’. But I grabbed the Amadeus recordings when I saw a ‘new, sealed’ set of LPs for sale, precisely because I wanted to hear how the music would sound when played by different musicians.
I have Quartetto Italiano Philips), Amadeus Quartet (DG), and Quatuor Vegh (Valois). After you compare them and let us know what you think, I’ll weigh in with my ranking.
I just got my new mono cartridge today, and just got it all setup, so I’m playing my 50s Capitol recordings (Analogphonic reissue) of Nathan Milstein’s performances of Bach’s Partitas and Sonatas for Unaccompanied Violin.
I have that one too. I own six complete sets on vinyl:
Nathan Milstein on Capitol (50s, mono)
Arthur Grumiaux on Philips (60s)
Henryk Szeryng on DG (60s)
Nathan Milstein on DG (70s)
Sergiu Luca on Nonesuch (70s)
Sigiswald Kuijken on Deutsche Harmonia Mundi/EMI (80s)
I like them all and play one or the other at different times. Milstein, Grumiaux and Szeryng are my favorites. I have decided yet which I like best nor which Milstein I like better.
I really like Szeryng though. His version of the Beethoven Sonatas with Ingrid Haebler on Philips is a favorite, even though I also have Perlman/Ashkenazy on Decca. Both are great and I know the later is the more celebrated version, but I really like both. I also have Haebler/Szeryng for the Mozart sonatas too.
A great selection of Vivaldi from the always excellent Giuliano Carmignola - these concerti, not previously recorded by him according to the notes, are from different periods of the composer’s life and are beautifully recorded in sensitive performances. Not to be confused with the Four Seasons!
Handel: Dixit Dominus - Ferrandini: Il pianto di Maria
Sophie Rennert, Deborah Cachet, Rachel Redmond, Michiel Haspeslagh, Alberto Martinez
Il Gardellino, Vlaams Radiokoor, Bart Van Reyn
Bostridge’s latest Mullerin cycle is intense and probing, but also very well sung, an engrossing performance. His voice has dried a bit but gained a welcome edge, and he is well recorded. Giorgini is a better partner for him than Uchida or Johnson, but somehow the recording robs her of resonance, the only sign that this was taped live.
Well, Wunderlich had a wonderful voice that allowed him to sing art song, Mozart and Mahler, but Hubert Giesen wasn’t Saskia Giorgini! And I’m not talking about just his looks