Hi @mookr ,
That will be fine as one amp is HF L&R and one LF L&R. I’d try the NC 250 on the HF and the 250DR on the LF.
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I was at the Police reunion gig at Manchester Arena a few years back and Sting shouted at all of us at the back of the arena to get off our backsides. Git.
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Hi @thierry931,
Welcome to the forum!
The mains ground connects via the Burndy cables from the NPX 300 to the NSC 222.
Below shows a photo inside the 222 where the Burndy wires come in. The black wi-fi aerial points towards the mains chassis earth connection.
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Pawn shop jazz live recording in Gamla Stan Stockholm is a good example.
Venue is everything in getting good live sound
Now THATs what I’m talking about 
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Looking around, a 52/Scap runs to about £4,000-£4,5000, and a pair of 135s starts at about £2,000. I’ve had my 135s for a third of a century and also have a 52 I picked up about 3 years ago, it’s a great value set and I’m sticking with it, but I think you’d struggle to get one for £5,700.
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…and I’d still be without a streamer🤷🏻♂️
A very valid point. 
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Wow the young ones🤣
I went to Shepton Mallet once. The only time I saw echo and the bunnymen where he thought he was mister mojo rising performing the end by the doors. Highly entertaining laser show as well while standing in the rain. Also Joe Cocker who probably had one bottle of whisky too many. Steel pulse handsworth revolution. Ahhh those were the days up to ones knees in mud
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I was thinking around £3500 for a 52/ps. But that might be optimistic. I revise my comment to “around a similar price to”. 
Yep!
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Thank you for the reponse.
Maybe it’s already been answered above but why would you use 2 NPX 300 as an upgrade to power an NSC222 and how are they connected?
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Thank you - appreciated.
That is so true 
I do Bloodstock every year. Leaving my camp chair to venture down the front is a savage reminder I am not as young as I was. What was fun 30 years ago just hurts now.
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I think you are missing the point. If like me you have no Naim boxes in your system, it is very difficult to buy a component to fit into your existing system without buying special cables that you will find it hard to sell on. Having XLR cables means that I could still use my passive XLR only pre-amp (with a 250) or my XLR cables with my power amp with a Naim front end without having to ditch my whole system.