These are some of the attention points as promised. As said, I enjoyed listening like this.
Acoustic Pearls – Track-by-Track Listening Guide
1. Rosa Cedrón – Entre Dous Mares
Notice the cello strings, which are almost tangible in front of you.
The HD650 beautifully showcases the warm resonance of her voice.
Spaciousness: the reverb tail is round and wide – check how long it lasts.
2. Nynke Laverman – Alter
Focus on the percussive breaths and subtle guttural tones.
The Lake People bass here is precise and dry, without being woolly.
The dynamic mini-accents in her phrases come through extremely smoothly yet urgently on the Naim.
3. Agnes Obel – Riverside
Notice the stereo difference between her vocal layers (left/right harmonies).
Piano sound: It’s beautiful to hear how the hammer, string, and body come through separately.
The HD650 gives this track a dreamy softness without loss of detail.
4. Eivør – Trøllabundin
Focus on the more powerful chest resonance versus her whispering upper register.
The HD650 makes the air movement around her voice almost holographic.
Note the deep, dark background space; very quiet yet atmospheric.
5. Ane Brun – These Days
The acoustic guitar has fine string-touch micro-details: fingertips, sliding sound.
Her phrasing is slightly frayed; on your chain, you hear it perfectly and humanly.
Note how far behind her the second voice is.
6. Lhasa de Sela – Con Toda Palabra
Her voice is perfectly centered, yet subtly moving; notice that micro-pendulum.
The percussion is dry and close, a nice test of the Naim’s timing.
The HD650 provides a warm coloration—a real benefit to the atmosphere here.