With the move from a larger house at the country side to a loft in the city, I felt the need to change my system. Living room is a touch smaller and I didn’t like a hifi system being very dominant apparent in there. The system I had, was a full 500 system max’d out with Fraims, toplevel cabling, switches (incl separate powersupplies), dedicated spur and full acoustic treatments.
Three months ago, I replaced the system with a new NSC222/300PX/250 set up, keeping the Sonus Faber Olympica Nova III and their Superlumina loudspeaker cables. I also kept the powerlines, Furutech blocks, SIlent Angel switch and a good powercord.
In all fairness, I had to get used to the new system a bit. It’s good and pleasant on the ear, it’s rythmic, and fast (I like that). Compared to the previous system, I lost some detail and « 3d » soundstage and sometimes a touch boomy bass. Was it the acoustics in the new house, was it just the less advanced system itself, the new architecture of the new classic series, or something else: I don’t know but probably a combination of all of these. Don’t get me wrong: I enjoy the new system and listen as much music as always.
First thing I did was getting some room acoustics. The market now offers « paintings for the wall » that include a frame and absorption within them. I bought two big ones, and that made a true difference. The sound got a bit more authorative, the boomy bass got less and I got more detail.
Today I changed the Nova III’s with the Sonus Faber Guarneri monitors. I bought a new pair that was already run in. After a day now, I think it was the right choice at the right moment. They match superbly well with the system. The monitors act like a « point source » and the additional detail, placing and sound stage are impressive. Yes, I loose on the bass, but the standmounts hold their place and still deliver quite a bit of it. It’s especially the mid-range that is two levels up compared to the Nova (and the Nova were very good at ot as well). Imaging is insane. The silky treble - so representative for Sonus Faber - is everywhere. Very, very nice.
Final thing is changing the XLR’s. Based on what I have read on this forum, I’ll test the weekend XLR cables from Vertere, Chord SIgnature and some Van Den Hul’s. According to my dealer, that will bring some additional detail and 3rd imaging.
I have learnt my lesson on how important a room is chosing your setup.
Iver