As well as what you outlined, and to return to the original question.
Even if we agree to disagree about the SQ superiority of the CD over vinyl, it looks like the problems of the records being sold now, go well beyond inner sleeves. All the old problems of the past are still here, probably worse, as a lot of the old skilled pressing technicians have long since became pensioners, and I wonder how many the old skills and tricks of the trade have been passed on. Having to return one in ten records is a pretty dismal reflection on record company quality control.
My local record shop, mostly sells Jazz and Classical, I am on good terms with the owner, and we often chat about music, and sometimes about the resurgence of vinyl. He is very selective about the labels stocked, for reasons of quality control (returns are a pain in the butt for retailers) and more interestingly he hinted that some record labels just cheaply master directly from a CD, with little care given to sound quality I presume.
One very positive aspect of the vinyl resurgence is that it has given a new lease of life to many record shops. I read in the Guardian that there are even new record shops opening in th UK.
Here are some quotes copied and pasted from above.
I’m more concerned with the 2/3 of new discs that are dished, wildly off centre, or have unforgivable pressing defects like shallow groove, where the lathe barely made a cut into the mould and the resulting pressings look semi blank and sound rubbish.
I can live with supplying my own sleeves.
Then I go to into a record store that specialises in only really top notch new pressings. And it’s all bloody classical and jazz - there’s nothing for me to buy at all.
I buy quite a lot of new vinyl still, as many of you know, mostly pressed by RTI, QRP, RI, Optimal, Pallas and GZ, and at worst my reject rate is around 1 in 10, but usually less. Recently it has been very good with no need for any returns for quite some time. For all that, I think that an anti-static lined inner sleeve should be a given from everybody.
And at the prices charged for contemporary releases there must be good margins for a circa £30 record v a £7 to £9 CD for the record companies
Either way I haven’t bought much vinyl lately as I’m tired and disappointed of getting (80%) warped recorded with one end of the frequency spectrum or the other largely absent. If I do think I might want something I scan here and discogs to see if there’s any comments on SQ first.
PS I am not a basher, hater, eccetera. Sometimes I just do not understand certain aspects of in this case audio.