So in another recent post about ‘Your wow speakers’ I posted a reply about mastering a recording I’d made for a friend playing Cello for his music degree back in 1998. Anyhow life got in the way and that’s the last time I saw him until last weekend my brother who is better at keeping in touch than me organised for us to go to the Royal Albert Hall for Prom 37 - where the aforementioned friend now plays Cello for the Royal Northern Sinfonia - his wife plays Violin. To say it was one of those life defining moments is an understatement - plus it was an outstanding performance I got to enjoy again using BBC Radio 3 ‘On Demand’ via the Naim App. Swung the speakers in the kitchen round to point into the garden and put my feet up. That is what its all about I think.
The first rock gig I went to: Deep Purple in 1970 (I think), at the Roundhouse in Chalk Farm, London. The then new Mk 2 lineup, my introduction to live music, to heavy rock, to headbanging, to light shows, and to strange smells… unforgettable, and I was hooked for life.
Some 25 years later, going to a performance of Puccini’s Turandot by Welsh National Opera. Before that opera left me cold, no matter how good the music. But wow - absolutely WOW! Fantastic live music, human voice at its best, theatrical drama, and a tragic storyline. I was hooked - as in hook, line and sinker. The depth of raw emotion had tears streaming unashamedly down my face, and I left completely emotionally drained but also elated as on the highest of highs. Since then I have been hooked on tragic opera with good dramatic musc - particularly by Puccini and Verdi.
If you like Verdi opera, try to get hold of Carlos Kleiber’s recording of ‘La Traviata’ with Ileana Cotrubas, Placido Domingo and Sherrill Milnes with the Bavarian State Opera (where Kleiber was the de facto principal conductor for some years). A truly transformative experience.
Herbert von Karajan was a great Puccini conductor, although some listeners complain that he was too interventionist. His Decca recording of ‘La Boheme’ with Mirella Freni and Luciano Pavarotti and the Berlin Philharmonic is a splendid tear jerker. And his Vienna Philharmonic account of ‘Madama Butterfly’, also for Decca, has Ms Freni again and Placido Domingo heading the cast. Beware of the massive swings in volume in the wonderful analogue recording. You may find yourself changing the volume knob quite a few times if you play this through in one sitting.
Three wonderful opera recordings to keep you enthralled, I hope!
Wow this is a challenge. Too many. But I’m going to give a Naim example. Around about 1986 I went to a demonstration of a LP12/Naim active/Linn Isobarik system and they played Beethoven V by the Vienna Phil conducted by the already mentioned Carlos Kleiber. Absolutely electrifying, bought the vinyl and then the CD, still have both.
Thanks for the tip. I’ll have a look (listen!) when I’m back home (travelling at the moment)