Spendor A7 vs A7.2s

Hi all,

Finally had a chance to compare these two speakers. Very interesting. The punchline is that I kept the A7s (which I’ve had for about a year, and love).

Our main listening system is an all-rounder, doing a combo of background radio listening, low level stuff, and full on sit-down listening work. My feeling is that low level background listening and serious audiophile type listening are pretty different, and it can be hard to put together a system that does well with both.

Something that isn’t made all that clear in the literature is that the A7.2s do not have the A7/D7.2 rectangular bass port at the bottom of the speaker - instead, the rear bass port is round and up higher on the back of the speaker, like on the A4. This has pro’s and con’s, but based on my listen, mainly cons - there is something addictive to the A7 bass, that flattens out a bit for me on the A7.2s.

The tweeter is larger and also the crossover changeover point is lower hertz on the A7.2s, and you can tell. The highs are better on the A7.2s, more uniform, but all told it really depends on the music as far as how the whole package presents. In lots of music where the core of the tune is midrange and lower, I preferred the A7s as they followed the music better. With other music the opposite was true.

The A7s are acceptable at low levels (I actually miss my Rega RS3s, now relegated to the office, in this situation - they sound great quiet), but the A7.2s are tough low - the woofer is barely activated, and the speakers sound pretty shrill.

I am going to beat Jaybar to the punch and say this thread is not about the D7.2s. I find the D7.2s to be borderline unlistenable based on their shrill, almost painful brightness. I do otherwise think highly of the speakers, in particular appreciating the detail they bring, which exceeds the A7/7.2s. Other than detail, I prefer the A7s.

Plus, I saved some dough on the upgrade. The A7s are special…it will take a fair amount to displace them.

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Interesting to hear a comparison.

I’m surprised that the A7.2 has a simple round bass port. The specially designed bottom rectangular port of the A7 was supposedly a crucial upgrade on its smaller siblings (and similar to the more expensive D7.2). So it seems odd to drop it. I’m sure Spendor had good reason though.

The A7 is, as you say, a special speaker. I’m very happy with mine and would recommend them to anyone. At used prices, they are a steal!

Kind of nice to hear that the successor doesn’t improve on them. However, were you certain they were fully run in?

Were the A7.2’s brand new? I have A4.2’s and it took a pretty long run-in period. Initially, they were sounding a bit bright, had lack of bass and produced a weird ‘hollow’ sound without much sound-stage. The documentation stated that the speakers required a serious run-in period, so I was not surprised. Over a period of 4 to 6 weeks, it all became much warmer, dynamic and the sound stage opened up. I am now very happy and the speakers have transformed.

It took forever for my D7.2 to sound correct in our room. They were never unlistenable and even bested my A4s from the beginning. Time is your ally.

My post said: ‘I am not very happy’. That should have said: ‘I am now very happy’ :slight_smile: Corrected it…

@whatu1tme2b Glad you like your A4.2s. Have you ever thought of upgrading your Naim electronics? I suspect your new speakers can support better components.

Last year I upgraded from Tannoy speakers to the Spendor A4.2’s. I also upgraded my Nait 5si to a Nait XS3. That already was a significant upgrade in sound quality. For the foreseeable future, I will stick with what I have, which I enjoy very much. It depends a bit on how long software updates will be releases for this streamer platform. If I ever feel the need to upgrade, I do n’t know yet what I am going to do. I may go all-in-one or to the 200-series.

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I was really surprised by the port change as well. I do wonder a bit if it was to provide more differentiation between the A and D series.

A friend who listened with me preferred the A7.2s, in part because they seemed more balanced. It does seem like the redesign sought to move the speakers in a more neutral direction.

Fair question about breakin. These were the demo pair from my local dealer. I did talk to them about that and they said they had run them in, but we all know that’s not a binary thing so it could be they weren’t fully settled. They’ve only had them for a couple months, and it’s not like they’ve been played continuously. Still, this is an excellent dealer and they understand such things well, and I know from experience they will run things overnight for breakin. There was a track or two where I did wonder if they weren’t fully gelled. Great question and thanks for clarifying, I should have mentioned that.

I wouldn’t characterize them the way you describe the A4.2s pre-run in. I actually thought the bass was pretty good, just not as special as the remarkable bass musicality of the A7s.

It is also about what you compare them to. My A4.2’s replaced Tannoy Revolution XT 8F’s, which were much bigger had too much bass punch for my room and were just completely different. So, next to the run-in period it was also a matter of adjusting. But now I am really happy. The A4.2’s fit so much better with my room and current system. It’s all so personal.

Isn’t that true!

I listened to a lot of speakers when picking the A7s - they came out on top. Our room is pretty decent sized, around 15’x25’ but not a perfect rectangle (bump in on one wall, sunken living room).

Don’t worry in YOUR assessment of the D7.2. Mine have been in place now for just over 5 years, a good number of 1000’s hours listening too during my ownership.

It’s never been unlistenable to me, however with certain material/artists/recordings it can be an uncomfortable listen at times. However, remember your ears, sound signature preferences and more importantly your room will all contribute to that final sound that hits your ears/brain, good or bad.

It’s great that you know what you like and make necessary decisions accordingly. :clap:

One thing I can say with certainty, I currently demoing a pair of Sonus Faber Olympica Nova II, and for my listening preferences, room setup, etc… I can happily confirm that the D7.2 is an absolutely wonderful speaker that punches well above it’s price point. All I can say is well done Spendor!

Fair enough…that was a sideswipe on my part. Apologies.

Oh no, you misunderstood my reply. I can totally see how D7.2’s can/could come across the way you described.

Absolutely no apologies necessary :grin:

It was lame for me to say the thread wasn’t about the D7.2s and then offer an indictment.

I am sensitive to top end noise, having tinnitus pretty bad at around 3k hertz…as we can all agree this stuff is personal!

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:joy:

Spendor make truly wonderful speakers and IMO great value too. Enjoy your A7’s for many years to come :musical_notes:

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