Dear friends.
I thought I’d open a new thread since the previous one on a similar topic got sort of derailed by off-topic conversations. Also, this represents a different (clearer) starting point for a conversation that I am sure many of you will be able to contribute.
In the early days of the CD, it was clear, the CD was a one box solution; as things evolved, this simple source was offered in discrete components; we could purchase a DAC in one box, an Upsampler in another box, only to also be able to also add a master clock and a of course, the transport (to spin the silver discs)
In the streaming age we have something similar, right? We have storage (whether it’s local such as a NAS or remote, such as TIDAL), but also the renderer/transport (the streamer?) and of course a DAC. (I am leaving a digital pre-amp section for now, even though it is now often bundled as part of a DAC and/or Streamer/DAC)
My question is; if the renderer/transport produces a BIT-Perfect signal (or whatever it’s called) how could that be improved? Why would a £500 bit-perfect transport be inferior to a £5000 bit perfect transport?
Please help me understand