Haha.. I do have the thinking of going to Lina DAC and jz a simple Nait 50 in my mind. But I have spend too much in my 500-series (all new mind you!!!) and i just hate hate to sell it off as 2nd hand.
You know tat feeling. I do make the mistake of buying new. Now I know to never ever ever buy new in Hi-Fi if possible.
You can buy new, but you must be very very sure of that product and the after sales services , which is very important. I really hope that you will enjoy your journey. Itâs painful to feel what you are going through .
dCS will be a long time , long term partner in your system , you wonât go wrong with dCS. Thatâs one big step towards your happiness , comparing to NOW.. keep it up
Clearly I am looking for a quick solution and Olive might present deep knowledge I donât have. I think probably unwise for me to go into very old pre-amp.
Itâs pretty straight forward. The Din/XLRâs that would have come from the 552âs power supply just goes to the Hicap. Simple as that. Took me less than a couple of minutes to have the 72 playing music.
Saw that and looked nice. But I hate the way the dCS volume knob turn (when I audition the Rossini), too much without resistant unlike the Alps Blue (which got resistant). I know, I am weird!
Itâs not correct. The Cannon XLRs on the NAP500 are single ended.
You can use pretty much any Naim pre-amp with the NAP500, although it must be powered by a dedicated PS. Iâve even tried a NAP500 with a NAC112x and Flatcap. It worked, but lost most of what makes a NAIM special (However, do things the other way around, NAC552 into a NAP150X and the results were spectacular considering it was Naimâs most basic power amp). Probably the most affordable really effective pre-amp with the NAP500 is a good secondhand NAC52. Having said that, Iâve never tried the 500 with a NAC72/HICAP, which could be interestingâŚ