The user manual, whilst unhelpfully silent on the ERR message, does give clear maintenance instructions for the clamp (puck).
Clean the clamp with Blu-tak and/or brush lightly with your finger or a soft cloth.
If you get an improvement then at least you know what the issue was. It could be temporary, in which case get a new clamp (Clamp 3, but you should check). I went through this process about 10 years ago and was lucky. I think it is a common issue, so worth trying.
May or may not be relevant and I know that we aren’t supposed to discuss DIY repairs, so I am risking a slapped risk here.
My CDI developed the dreaded ERR. On inspection I found that the transport mechanism mounting screws had worked loose. Quick tighten and problem solved.
I received my entire Naim system as a gift not long ago so have never listened to the 3.5. I certainly do like the Sony quite a lot. It’s solid and still works flawlessly.
Are you sure? I’ve had a few of the big old Sony ES CD players and while I’ve admired their great finish and overall physical presence, they have generally disappointed in their performance. I so wanted to love them, and try as I did, they just didn’t engage me, and lacked a sense of snap and rhythm. I even bought a Sony SACD player and compared the SACD layer of some dual layer SACDs played on the Sony to the CD layer played on a CD5, the latter being more enjoyable to these ears.
My first ever CD player was a SONY. It was a good machine, beautifully made, one step down from their then top-of-the-range player, which cost squillions. (I think that mine might have had the model number 501, and their top player was the 701.) It didn’t use DIN sockets, of course, so getting a suitable interconnect was a faff.
I had a QUAD system, because I had a yearning to try electrostatic loudspeakers, and QUAD’s CD67 CD player was pretty good.
When Naim brought out their first CD players, a few years after the format was launched, I was able to return to the fold. of the righteous.
That is interesting Richard. Meyer and Moran’s large double blind testing showed that most people could not tell the difference between the the hybrid layers on the same machine. Slightly more preferred the CD layer to the SACD layer. One opinion that I have heard expressed by an audio engineer is that making a machine to play both SACD’s and CD’s involves compromises which do not maximize the potential of both?
It’s fine, although you’re probably better of sticking the paper circle to the discs that have been pressed thinner than redbook, otherwise it will not be optimal for all the other discs pressed top the correct red book standard.
Alternatively get a Clamp 5 and then use it for any problem discs and just be very careful when placing it or removing it from the spindle as it will stick like a limpet.
How much does putting and removing the puck contribute to transport degradation. I seem to remember there are guidelines on how to remove it so that the forces on the transport drive were not so strong
I’ll try citting a paper circle. I wonder if this issue is unique to the 3.5. It seems like if this is a known issue Naim would have offered some support to work around the issue.
Not impressive design work from the vaunted Naim design team though i do like the rest of the hardware.