I am certainly not complaining if other people make decisions based on what they hear - my apologies if I apparently suggested otherwise.
A lot of us will recognise bits of your hi-fi journey, including the occasional less-than-inspired decisions, and the huge help good advice can be. If the result is now (as it looks) a great hi-fi that delivers great music, you have succeeded.
I would also agree that there are lots of silly claims made about cables, which are never likely to give more than modest differences (and even more modest improvements) to even the best and most sorted system, and that it is easy to make expensive mistakes instead of concentrating on âthe basicsâ - e.g. if in doubt, itâs source first.
I am even wary of a quick âblindâ listening test - partly because I am not a great or quick tester, but mostly because it is easy to mistake âdifferentâ for âbetterâ.
Having said all that, sometimes cabling does hold back sound a little in my experience, and it is not hard to do some experimenting to find out if a genuine improvement is available. In addition, given all the pitfalls, the âwisdom of crowdsâ (including the voices of caution) available here can be helpful for anyone trying to make good decisions.
SuperLumina was introduced with the Statement amplifier. The only new cables that were introduced during the 500 series were PowerLines and the HiLine. Both of which are clear upgrades of what came before them.
There are good reasons why a number of forum members make their own interconnects with Mogami cable and quality connectors. (In my case interconnects are all balanced, with Neutrik XLR connectors, but of course not suited to all kit.)
Yup, the power of marketing and psychology is alive and well in the boutique cable industry. Itâs all good, so long as everyone is getting what they think they want.
Then I for one would be interested to know what cables were used then. I suppose some expensive cables (interconnects and loudspeaker cable) from chord cables
Iâm sorry, but I have no idea. It was some 30 years ago, and I had no desire to buy a 500.
I did speak to Paul Stephenson, but it was about my own Naim equipment, the QUAD ESL63s that I had then, and Naimâs legendary electrostatic prototype, the FL-1, which never got past the development stage.