Greg Skaff.
Always trying to find you sumat new.
Apparently played with Stanley Turrentine so we might expect a very competent and professional recital.Perhaps ‘nice’ would be the best summation.
His two mates pass muster.
Scott Yanow’s review in the Los Angeles Jazz Scene…
"On Golden Earrings, Altoist Sam Braysher and pianist Michael Kanan perform a set of duets, swinging and digging tastefully into superior standards and obscurities. Braysher, who is based in London, was 27 at the time of this 2016 recording. He has a beautiful tone that is sometimes a little reminiscent of Paul Desmond while his approach to these songs is often boppish in a fresh way. Kanan, who is from Boston, studied with former Lennie Tristano students Harvey Diamond and Sal Mosca and has worked with many top artists including Kurt Rosenwinkel, Mark Turner, Jimmy Scott, and Jane Monheit.
The music swings from the start with a medium-tempo “Dancing In The Dark.” While Braysher takes the lead, Kanan is not only a very alert accompanist but consistently offers a second equal voice. The repertoire also includes such delights as Charlie Parker’s “Cardboard,” a three-song Irving Berlin waltz medley, Tadd Dameron’s underrated “The Scene Is Clean,” and an advanced and little-known Nat King Cole composition “Beautiful Moons Ago.” “BSP” is “Love For Sale” as Lee Konitz and Lennie Tristano might have played it, and it is gratifying to hear the beautiful “Golden Earrings” interpreted with such obvious affection. The memorable program closes with an all-too-brief “Way Down Yonder In New Orleans” that climaxes with the duo playing Lester Young’s recorded solo."
I feel too it’s their best album. As for french tv serials, there’s already the interesting tv thread ( the bureau, spiral , or « 10 pour cent » (call my agent), if you want to have a good comedy , then Mohamed Dubois or Le Marquis)
I found a remastered version of this on Quobuz as I hadn’t heard it for a while and the original is rather ‘cloudy’
This sounds a little brighter.
Same title but remastered 2020. Cover is a picture of the group.
N
Really one for Miles completists only, but it is interesting to listen in on the evolution of these pieces. I’m not sure it’s something I’ll play that often.