It sounds best when on a dense solid support. Also make sure to adjust the settings for wall proximity and loudness.
It has been mentioned before on the forum to sit the mu-so on vibrapods or similar, but try the above settings before experimenting with isolation.
Have you tried changing the Room Compensation and Loudness settings? There’s no guarantee they will solve your problem, but it’s easy to try. Moving the Muso to a different position, especially distance to walls and corners, may also help a little if practical.
Thanks Robert, I’ll try to get hold of some of those pads first loudness and proximity settings have already been adjusted, this helped a bit, but I feel that something still needs tweeking:grimacing:
My mu-so is sat on a solid wood top of a unit and I found that with loudness set to off and room compensation set to near wall gave the best bass, this reduced what can best be described as a bass boom which was present before changing the settings.
That probably describes what mine sounds like, solid base trial coming up, but it will have to wait until next weekend as it’s at the other place! I’ll order some of those Vibrapods too Michael, certainly worth a go…cheers.
My unit sits 36cm from the rear of the unit to the wall and with the front of the unit level with the unit below. This position combined with selecting the near wall position took the bass emphasis away and improved the clarity on the mids.
Plinths and supports for Muso are a bit over the top. Good placement on a solid surface should be enough.
Once you start tweaking a Muso, it brings into question the simple elegance of the solution over separates. And if the angle is just right, the clear base gives the illusion that the main unit it just floating an inch above the surface. A plinth or feet shatter that.
I find they do take a couple days to run in (Muso sound awful fresh out of the box) and if near a corner, they don’t work well placed neatly at a right angle to it, tending towards working much better firing angled into the room. And as mentioned the correct DSP setting makes a big difference.
The full fat Muso likes the front edge to be not more than an inch from the surface edge to avoid reflections. The Qb has a neat trick where placed on a stool so it fires into open air on 3 sides it sounds great.