One more thing about using it. The mat is a bit like a Linn, but thicker and stiffer, so no issues with static.
So, sound quality and it just sounds great. I won’t try to describe it in detail beyond saying I would be very happy to live with it. A different presentation from my LP12 but very nice. Unsurprisingly, it sounds how you would expect a high end Naim source to sound. I particularly liked the vocals.
It does look better in the ‘flesh’, could live (just) with the platter…the new design/logo is well finished and attractive…against the ‘green eyes’ (which I love) it looks modern and clean - again could live with it, however maybe not as ‘mixed’ units.
The logos dim to a better looking level/white (imho).
The back right corner of the TT is pretty ‘busy’ lots going on there…the cue arm seems close to the arm. The Aro 2 looks very nice…more damped than the wobbly Aro 1.
The cartridge cover is the biggest I have seen.
Next to an LP12 its looks fresh/modern, the LP12 looks old/dated…
How did it sound…only prob 6hrs on the cartridge so a little bright at the top end, however lots of punch, slam, and ‘balls’…really nice bottom end…good vocals…very Naim.
Very different sound to an LP12 methinks…
A better cartridge would surely improve it further…
Look forward to when its available for general sale/separately.
Yes, I agree with everything you have said, except that it makes the LP12 look dated because the LP12 already looked dated, but perhaps not in a bad way.
I’m interested to hear from anyone who uses full range speakers that play down in the low 20 Hz region how the Solstice does with the low end slam. Does it render the organ with convincing scale, tone, and impact?