Lau have been described as a formidable union of three of the finest and most innovative exponents of modern traditional music in Scotland today; Kris Drever (guitar and vocal), Martin Green (piano accordion) and Aidan O’Rourke (fiddle).
That’s good! Some grumbles typically about the coloured pressings on Discogs, my Black copy is perfect and somehow I got sent 2 more that arrived this morning
Did my Oxfam volunteering today - lots of easy listening stuff to go to the good people that take our unsold/unsellable books, CDs and vinyl. Saw the yellow golden guinea top stripe and cheeky chappie on the cover and was about to put it on the exit pile when I thought, Davy Graham? Surely not that Davy Graham? Blow me it is - so cleaned up and playing at home to check quality. It’s fine - on sale next week.
Al Di Meola | Electric Rendezvous | 1982
Because I’m enjoying spending time digging deep into the library and finding out what I have and haven’t got… ADM has been one of those artists I’ve been re-enjoying recently after many decades.
The Chieftains - A Chieftains Celebration - original U.K. vinyl
Masterful playing of Irish trad music, this was their celebration of their 25th anniversary (it says on their website although I reckon it was released 27 years into their career), they managed another 30 years as great exemplars of Irish traditional players, always great on stage as well as on record. Their founder member Paddy Moloney left us yesterday, RIP Paddy.
Arguably the most rock & roll outfit on the contemporary folk scene, 11-piece collective Bellowhead’s knack of blending punk, funk, jazz, and cabaret with centuries-old ballads and sea shanties couldn’t be more removed from the winsome fare of the in vogue no-folk brigade. Produced by John Leckie (Radiohead, Stone Roses), their third album, Hedonism, continues to blur the boundaries on 11 imaginative reworkings of traditional standards which prove that British folk can be as exhilarating as it can be melancholic. Opener “New York Girls” sets the tone immediately with its array of jaunty fiddles and frenzied percussion providing a suitably upbeat backdrop for Jon Boden’s antiquated pirate-esque tones, and is followed by possibly their greatest interpretation to date, “A-Begging I Will Go,” whose funky guitar licks and Stax horns turns the 17th century classic into something that could have been the theme tune to a Blaxploitation film. Elsewhere, “Yarmouth Town” is given a breathless jazz club workout; the instrumental “Cross-Eyed and Chinless” cleverly drifts from accordion-led Morris dance to seductive tango; while the mournful child ballad, “Cold Blows the Wind” is virtually unrecognizable as a brass-led vaudeville show stopper. The radical transformations don’t always come off quite so effortlessly, particularly “Little Sally Racket,” a chaotic and discordant fusion of manic surf rock riffs, anarchic vocals, and frantic punk rhythms. But while the sinister waltz of Jacques Brel’s “Amsterdam,” the haunting Scottish balladry of “Captain Wedderburn,” and the slow-burning cinematics of “Broomfield Hill” show the band can enthrall even when they slow down the pace, Hedonism is at its most triumphant when it lives up to its name.
Streaming on Qobuz (44.1/16)… kicking off this Tuesday morning with this fabulous album released last April and Alela, Heather and Mirabai are sounding sublime! Well worth the time to give a spin…
You’re pandering to the kids vote. What about his production masterpieces for Roy Harper, Kevin Ayers, Be Bop Deluxe, Syd Barrett and Barclay James Harvest.