I am falling in love with different female violinists all over again. First, there was Hillary Harn, then, this forum directed me to Viktoria Mullova, and then I experimented with Nicola Benedetti and now Anne-Sophia Mutter.
Arthur Grumiaux was a brilliant soloist in the great concertos, but also a wonderful chamber musician in the trio and the quintet which he led: their Mozart String Quintets are astonishingly deep and brilliant music making.
He was fortunate to record for Philips, when they were amongst the best classical labels for natural sounding recordings.
From recordings alone Iāve a great love for Nathan Milstein. From performers Iāve seen live, Iād go with Viktoria Mullova, the combination of great technique, intelligence and sheer musicality at the service of the music never fails to give me joy.
Edited to add that in the folk world itās Dave Swarbrick for me. Itād be hard to find an English fiddler who hasnāt been influenced by his style, whether in his work in the ā60s during the folk revival, or his work with Fairport Convention inventing English folk-rock as we known it. His technique, musicality, elan and personality made him compelling in stage whether acoustic in a duo with Simon Nicol or Martin Carthy, folk string quartet with Whippersnapper or with the electric instruments of Fairport. RIP Swarb.
I was listening to Hilary Hahn - which is what her name is - earlier today. I really like her playing. My other favourites are Alina Ibragimova and Rachel Podger. Try also John Holloway, who is quite brilliant and recorded a number of excellent albums on ECM.
All of the above, to which I would add Isaac Stern and Itzhak Perlman in classical repertoire. I also enjoy James Ehnesā playing in those recordings Iāve heard of his. And, particularly for English music, Tasmin Little, the violinist Iāve heard most live.
I know most of the older generation of violinists mentioned above by reputation, and I have an example of most in my collection, but my introduction to classical violin was delivered by Pinkas Zukerman, and I remain fond of his style. However, now I prefer the Grumiaux interpretation of Bachās concertos. My favourite violin concerto is the Sibelius and I prefer Leonidas Kavakosās rendition, which is very atmospheric.
In the folk world, I can not decide between Martin Hayes and Dave Swarbrick, but if pressed I would plump for Swarb because of his energy when performing. In this vein I should mention klezmer; I came across this Genre before Nigel Kennedy delivered his collaboration with Kroke, but for me the most enjoyable of modern recordings is by Itzhak Perlman (In the fiddlerās house).
āIāve decided itās time to find a little more space in my life for my many other interestsā according to Little herself. Disappointing, perhaps, but Janet Bakerās decision to retire earlier than many would have liked meant her reputation was never tarnished by failing powers as she aged.
So many wonderful violinists these days. To those mentioned above, I would add Isabelle Faust, Renaud CapuƧon - and Iām sure there are many others out there.